David Ligare


Nicolson, Adam. Why Homer Matters. Henry Holt and Company, New York, 2014

Alberti, Leon Battista. On Painting. Penguin Books, London, 1991

Alberti, Leon Battista. The Ten Books of Architecture. Dover Publications, New York, 1986.

Aristotle. Rhetoric and Poetics, compiled by Edward Corbett. The Modern Library, New York, 1984.

Barkin, Leonard. Unearthing the Past; Archaeology and Aesthetics in the Making of Renaissance Culture . Yale University Press, New Haven and London, 1999.

Blunt, Anthony. Nicolas Poussin. Pantheon Book, New York, 1967.

Boardman, John, editor. The Oxford History of Classical Art. Oxford University Press, Oxford, 1993.

Bullfinch, Thomas. Bullfinch's Mythology. The Greek and Roman Fables Illustrated. , Viking Press, New York, 1979.

Cabanne, Pierre. Dialogs with Marcel Duchamp. . Viking Press, New York, 1976.

Gardner, John. On Moral Fiction. Basic Books Inc, New York, 1978.

Greenhalgh, Michael. The Classical Tradition in Art. Gerald Duckworth and Co, London, 1978.

Hall, James. Dictionary of Subjects and Symbols in Art. Harper and Row, New York, 1974.

Homer, The Illiad. translated by Robert Fagles, Penguin Books, New York, 1990.

Honor, Hugh. Neo-Classicism. Penguin Books, New York, 1968.

Kemp, Martin. The Science of Art, Optical Themes In Western Art from Brunelleschi to Seurat. Yale University Press, New Haven and London, 1990.

Kemp, Martin, editor. Leonardo on Painting. Yale University Press, New Haven and London, 1989.

Kennedy, William. Jacopo Sannazaro and the Uses of Pastoral. University Press of New England, Hanover and London, 1983.

Lee, Rensselaer. Ut Pictura Poesis: The Humanistic Theory of Painting. W. W. Norton and Co, New York and London, 1967.

Lucie-Smith, Edward. Art Today. Phaidon Press, 1995

Mazzotta, Giuseppe. The Worlds of Petrarch. Duke University Press, Durham and London, 1993.

Moon, Warren (Ed.) Polykleitos, The Doryphoros and Tradition. Niversity of Michigan Press, 1995

Osborne, Robin. Archaic and Classical Greek Art. Oxford University Press, Oxford and New York, 1998.

Panofsky, Erwin. Idea: A Concept in Art Theory. Harper & Row, |New York, 1968

Panofsky, Erwin. Meaning in the Visual Art. Penguin Books, London, 1970.

Panofsky, Erwin. Perspective as Symbolic Form,Zone Books. New York, 1997.

Panofsky, Erwin. Studies in Iconography: Humanistic Themes in the Art of the Renaissance. Harper and Row, New York, 1962.

Pollitt, J.J. Art and Experience in Classical Greece. Cambridge University Press, Cambridge, 1972.

Seneca. Lettersfrom a Stoic. Penguin Books, London, 1969.

Stewart, Andrew.Art, Desire, and the Body in Ancient Greece. Cambridge University Press, Cambridge, 1997.

Stewart, Andrew.Greek Sculptur. Yale University Press, New Haven and London, 1990.

Tillim, Sidney. Notes on Narrative and History Painting. Artforum Magazine, May, 1977

Tzonis, and Lefaivre. Classical Architecture; The Poetics of Order. MIT Press, Cambridge MA, 1986.

Virgil. The Aenid, translated by Robert Fitzgerald. Random House, New York, 1984.

Vitruvius. Ten Books on Architecture, translated by Morris Hickey Morgan. Dover Publications, 1960

Winckelman Johann. Writings on Art. edited by David Irwin, Phaidon, New York, 1972.

Wittkower, Rudolf. Architectural Principles in the Age of Humanism. W.W. Norton, New York, 1971.